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The Biennial Conference of the Association of Chinese & Comparative
Tsinghua University, Beijing,
June 19-21, 2009
In answer to the question, Why study Chinese literature?, to what extent can
the answer be framed in terms of contributing to public discourse on China?
What does Chinese cultural expression have to say to the rest of the world?
How can we tell whether a work is directed at an exclusively Chinese or
universal audience? If it is Chinese only, does that mean there are no
lessons to be learned from it in other cultures? What can translators and
scholars offer the global audience from the Chinese experience?