本部落公告

百年信譽琴商,秉持誠實至上,價格合理的經營理念;台北分店位於國家音樂廳地下壹樓,歡迎參觀指教!
2015/06/18
2015/05/29

2015奧地利AMC音樂營,AMC音樂營行程介紹

AMC音樂營  


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2015/05/28
2015/05/12

購買小提琴試琴注意事項!小提琴試琴要點!


貝克  


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2015/04/29

德國小提琴家─大衛蓋瑞David Garrett

德國小提琴家

 


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2015/04/29

剛入手必知的小提琴保養!如何替小提琴保養?

小提琴保養


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2015/04/28
2014/10/15

義大利三顆星小提


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2014/06/03

2014明日之星貝克暑期夏令營

2014明日之星貝克暑期夏令營
 
 
˙日期:2014年7月1日至4日 ( 無須自備樂器 )
 
˙7/1-7/3    9:30-12:20
 
  上課方式:團體小班制  每堂50分鐘
 
    地點:國家音樂廳 排練室3
 
˙7/3     10:30-11:30
   
   音樂大夫彭廣林親臨指導
 
˙7/4   13:30-16:30 (成果發表會)
 
   地點:甘泉藝文沙龍展演廳(國家戲劇院地面樓)
 
 
招收對象:國小一二年級 初學(學習時間半年左右)或未接觸過小提琴
 
活動名額:15人
 
活動主旨:讓孩子在短時間發揮最大潛能,破除小提琴難學的迷思
 
上課內容:教導小提琴基本姿勢和入門基礎樂理,發表會團體合奏演出
 
報名日期:即日起至 2014年6月9日止
 
報名費:新台幣1000元整  (截止日前至貝克父子提琴繳交)
 
參加者須在報名截止日前至貝克父子提琴確認使用提琴之尺寸
 
詳情請洽02-3322-2121貝克父子提琴公司   營業時間12:30-19:30
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2013/07/04

誠徵 音樂系在學/畢業 工讀生


~~貝克提琴誠徵主修小、中、大提琴音樂系 ( 在學/已畢業 皆可)   工讀生數名~~

請將履歷郵寄至 carlbeckerviolin@gmail.com
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2012/08/21

租金價格調整


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2012/06/11

J. B. Gudagnini瓜達尼尼


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2012/06/08

從世界統一價格到平價美聲提琴

貝克提琴從開店以來就一直秉持的最基本原則:

誠實、服務、世界統一價格。
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2012/05/09
2012/04/09

從一連串假琴事件一窺提琴行業的內幕 II

上期本文開始時,提到了Eric Blot的台灣鑑定行,對台灣本地買的26把琴多數做了否定。但是讀者不要誤會以為在國外買琴很安全,據保守估計,在美國的近代義大利琴大約有一半多都有問題,在加州的比例更高得多。


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2012/04/02

您的孩子當然值得!

如何選擇分數琴
孩子琴拉不好?絕對不是他不行,他手上的玩具琴正在耽誤他!
 (分數琴:小孩於過度期所使用非成人尺寸提琴)

 


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2012/03/14

從假琴事件一窺提琴業內幕 I

Jarvis曾 貝克父子提琴台北店執行長。貝克提琴擁有180年歷史,為世界一線琴商之一,也是美國製琴學派的元老及代表。

 

201151314日,台北市歐德樂器請近代義大利琴專家Eric Blot坐陣兩天,替琴主鑑定他們手上的琴,結果被要求鑑定的26把賣到台灣的琴中,只有兩把他認為是真品,也就是說90%是假琴。


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2012/02/06

弓毛更換

2010/12
貝克提琴為台北市立交響樂團所有團員的弓(Double Bass除外)進行了全體更換弓毛的作業。


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2011/12/07

貝克提琴聲明

對中國時報報導台北地方法院判決本公司賠償某次修理琴時造成錯誤,多位音樂家友人來電詢問,希望我們能予解釋。

貝克台北公司以下答覆對此事件的立場。


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2011/09/27

提琴脫膠

在天氣變化、濕度與溫度的影響下,提琴常常會出現脫膠。

網路上常常有所謂"檢查脫膠方法"貝克父子提琴在這裡提醒愛好樂器的朋友們注意一些相關正確的觀念。

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2011/07/01

Model of Lorenzo Storioni 1790, Viola

Lorenzo Storioni (1744 — 1816) is considered one of the last of the classic Cremonese master violin makers/ Luthiers of the 18th century.

Born a generation after Stradivarius and Guarnerius, with no direct link to the great tradition, violin making made an unlikely comeback in Cremona in the person of Lorenzo Storioni and his two followers, Giovanni Rota and Giovanni Battista Ceruti.

He was influenced by makers of the previous generations such as Giovanni Battista Guadagnini and Tommaso Baliestri, and between 1775 and 1795 manufactured a massive amount of high-quality string instruments in a conventional manner. However, Storioni made some bold adjustments with his extreme creativeness. He changed the position of the F-hole, selected unusual materials such as local wild maple, and decorated his instruments with wide and rugged fringe, giving them strong but elegant looks as well as excellent sound.

He used a spirit varnish which sometimes appears that it saturated into the wood. His choice of wood was not always the best, but that is due to the times he was living in. From the 1750's to the end of the century, Italy endured many wars, and finding materials for makers, at times was very difficult. "Decades of war, “reforms,” and repeated conquering by the French and Austrians dismantled the social and economic structure of Cremona, as Duane Rosengard explains in a 1991 paper published in the Journal of the Violin Society of America. In the 1770s, just as Storioni emerged, the guilds that had governed the skilled crafts since the Middle Ages were abolished by the conquering Austrians. The Jesuit fathers, whose educational institutions were major patrons of the violin makers, were suppressed by the Pope; and the lay corporations, who conducted commerce on behalf of Cremona’s religious orders, were abolished. The church and nobility—primary patrons of the violin makers—lost power and money as the French and Austrians taxed and requisitioned treasure out of Italy to pay for the wars."

Many of Storioni's instruments are of broad grain in the upper table. He enjoyed working with the Joseph Guarnerius model. He is known to have made magnificent double basses. His followers include Giovanni Battista Ceruti, Giovanni Rota and Giovanni Francesco Pressenda.

"If rough work and poor wood characterized the Storioni-Rota-Ceruti school, they still find favor with musicians. “They were not the tidy boys, but they’re all acoustically rock solid,” says Boston violin maker Marilyn Wallin, who enjoys working on them for this reason. “As a group, they didn’t have the best wood, but they did know what to do with it.”
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2010/11/11

世界上最好的樂譜架—曼哈賽Manhasset(貝克提琴台灣獨家代理)

世界上最好的譜架-----
曼哈塞Manhasset, 1935
年創立於美國。貝克提琴台灣獨家代理/彩色譜架一律2200元

譜架123

 

 


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2010/05/13

Model of Joseph Guarnerious1742

貝克父子提琴公司成功的製做出嶄新的工作室提琴。


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2006/03/30

百年老店 貝克父子提琴店 第一家海外駐點落腳台灣

大紀元1月16日訊 自由時報記者趙靜瑜/台北報導

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2006/03/30

給音樂家的樂器 貼心維修

2006/01/08 民生報 記者黑中亮/報導

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2006/03/30

Looking for the 'Buzz' !!

你的琴嗡嗡了嗎?

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